11/6/2023 0 Comments Medieval torture devicesThe torture stuff began in the ’90s when one of Carder’s nephews burglarized his house, and Carder did the most sensible thing he could think of: He built a jail and imprisoned the thief. Then there was the run-in regarding provocative signs at the edge of his property (“Every body has something to hide / Mine’s behind this fence / Where’s yours”) that snarled traffic until the county asked him to remove them. Like the time he paid for a 1966 Ford by unloading thousands of pennies from the bed of his pickup truck. One of 14 children-“he’s somewhere in the middle,” says his sister Mary Heuer, who lives nearby-Carder has always been stubbornly peculiar. “If he had any idea how much time went into it.” A businessman once offered $5,500 for the chair but was rebuffed. Some might even mistake it for a political statement. Carder’s eye for detail is so stunning that if you were to put his spiked interrogation chair in a River North gallery, critics would call it edgy. Over there is the rat box, which I’d rather not describe. Over here is the scavenger’s daughter, a notorious 16th-century metal rack that compresses the body, squeezing blood from the nose and ears. Using nothing more than Internet photos and materials from a hardware store, the soft-spoken Michigan native, 67, has spent more than $300,000 painstakingly re-creating dozens of medieval torture devices. OK, so nobody is getting garroted in Carl Carder’s barn. No one hears your screams echoing through the empty fields. “Hello?” you call out, and, idiot that you are, you tiptoe into the loft and discover the rack and the guillotine. holy hell, is that an electric chair? And then, the creak of a floorboard above. The second is the air, thick with dread.īut this is a movie, so you enter Carder’s barn anyway and find the handmade hatchets, mutilation shears, and medieval skull crusher, arranged artfully on walls and tables. You’d wander east on Wilhelm Road in search of help and come upon Carl Carder’s property, where the first sign you’ve stumbled onto something weird is the Ferris wheel in the yard. The proceeds will be channeled into financing the above mentioned activities and into the opening of new permanent exhibitions against torture.If life were a horror movie, you’d run out of gas on Route 20, somewhere past the spot where La Porte, Indiana, turns to dusty backroads. It’s important to highlight that this initiative is part of a wider project that consists of collateral and multimedia activities such as meetings, debates and cultural festivals, in collaboration with international associations like Amnesty International, the Human Rights Mexican Academy, the United Nations and with the support of Public Authorities and National Institutions, in order to sensitive the public opinion about human rights. During its journey, the exhibit has always received a great public success and a positive consent from critics, from the press and medias (both national and local). Many cities have welcomed us with great interest, the exhibit that originated in Florence (Italy) in 1983 has already become internationally renowned as “exceptional testimony against state and power criminality perpetuated everywhere since time immemorial”. At present the collection, counting more the a thousand pieces, has been divided in six permanent museums and three world-wide traveling exhibitions. The on-going acquisition of objects has allowed us through the years to diversify our patrimony, our contents and cultural goals according to different realities and demands of the various countries. Thanks to the collaboration and dedication of many researchers and collectors, in Italy and in Europe, we collected the richest documentation of the genre. Our association has been running and organizing torture traveling exhibits for 30 years.
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